Scifi Wire:

Robert Rodriguez, the director who helms one of the two movies in Grindhouse,
told SCI FI Wire that he got the idea for the project after watching
1970s exploitation movies at Quentin Tarantino’s house. “Quentin is the
one who grew up going to these movies the most,” Rodriguez (Sin City)
said in an interview in Beverly Hills, Calif., over the weekend. “He’s
a film collector, [and] for the past 12 years he’s had his own theater
in his house, [and] he’s been showing me these double [and] triple
features. Either stuff he’s grown up with or stuff that he’s
discovered, and he wanted to turn me on to.”
Watching films such as Vanishing Point and Blood Feast
gave Rodriguez the idea to do his own version of a “grindhouse” double
feature. “I got really excited about doing a double feature, and when I
took the idea to Quentin after Sin City, I said … you should do one, and I should do the other. He said, ‘Oh, we’ve got to call it Grindhouse. We’ve got to have fake trailers.’ And we realized it would hearken back to that time period.”
Rodriguez’s half of the film is called Planet Terror and is a straight-up gory zombie movie. Tarantino’s (Kill Bill) is called Death Proof and is an homage to car-chase films such as Dirty Mary Crazy Larry. Rodriguez and Tarantino enlisted their filmmaker friends Edgar Wright (Shaun of the Dead), Rob Zombie (House of 1,000 Corpses) and Eli Roth (Hostel) to come up with the fake trailers, for such films as Zombie’s Werewolf Women of the S.S., that link the two features.
Rodriguez added that he and Tarantino artificially aged their
movies—adding dirt and scratches, missing reels and jump cuts—to
simulate the experience of watching a real exploitation movie in a
cheap theater—or Tarantino’s own home theater. “Because his prints are
sometimes all screwed up,” Rodriguez said. “And it adds a really great
texture to it and a vitality to it that when I go back and see the same
movie on DVD, and it’s all cleaned up, it’s lost half of its charm. So
I thought it’d be really great to use the damage as a dramatic device
and try to use that as another tool in the tool box.” Grindhouse opens April 6.
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